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Committed to Excellence in the Performing Arts |
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Original Scripts resume on the 7th Feb, please find the 2012 Enrollment Form below….. at SHOWBIZ STUDIOS 11 Balfour Tce (Off Antigua St), look forward to seeing everyone again and welcome new students.
Please note: We have had two engineers thoroughly inspect the building and it has been given the green light and all clear.
Please email Wendy for class times …..
Original Scripts Theatre School's name highlights the important difference between this theatre school and others in Christchurch. Wendy Steeds, owner and director, has been very productive in her writing over the last 15 years, so the school has a substantial library of Original Scripts to draw upon. They range from being suitable for the very young through to the middle aged and beyond. Wendy and fellow co-owner and producer of the company, Sonia Chappell, are particularly proud of the large teenage school that has built up and the way these students benefit from improvements in confidence, self-esteem, self-discipline, memory and ability to interact with others. Naturally these benefits are not just confined to younger students.
All students appear on stage in front of a paying audience at least twice a year, this is possible because Original Scripts provides a safe and friendly environment where students can train and develop their theatre skills to the level required for public performance. The sense of achievement and thrill that students get out of this is amazing, as well as building in them a lifelong passion for live theatre.
Karl Schmid - I first met Wendy and Sonia back in 1994 after successfully auditioning for the role of Cosmo in a KidsFest production of Jack and The Beanstalk. Wendy and Sonia were playing Jack's evil and greedy (and hilariously funny) aunts and through this opportunity to work together they introduced me to their theatre company and school, Original Scripts. Unique and unlike other "drama classes" that were on offer at the time in Christchurch, Original Scripts allowed people of all ages and all capabilities the opportunity to actually get on stage and perform. Real people with a real passion for theatre were allowed to experience firsthand what it was like to be involved in all aspects of putting on a production. EVERYONE was given the chance.
There's no doubt about the benefits of drama in building people's confidence - both young and old. It opens people's eyes and not only teaches us humility but the ability to laugh at ourselves in a safe and encouraging environment. Wendy and Sonia created this special safe space for people to learn about themselves and have fun doing it at the same time.
I'll always be grateful for the opportunities that Original Scripts allowed me, not only as a performer but in other aspects of production too. Wendy and Sonia entrusted me with their productions to direct, stage manage and even design and by doing so taught me so many valuable skills that I call upon every day.
Since leaving New Zealand I've been fortunate enough to work in many areas of the entertainment industry. The lessons that I learnt at Original Scripts have helped me with my television presenting work, producing and writing for well known personalities, production managing for one of Australia's leading music television networks to my present job as an agent here in London where I represent some of the biggest and most successful names in comedy. I've been fortunate enough to work on Broadway, in the West End of London and at some iconic venues such as The Royal Albert Hall, The Sydney Opera House and The MET in New York with some equally iconic performers.
Thank you Wendy and Sonia, and thank you Original Scripts, I'm proud to be able to call myself one of the family.
How Original Scripts (and drama) has helped me in life:
Going to Original Scripts has given me invaluable skills in life. Since doing drama, I have gained confidence and public speaking skills. These skills enabled me to do well in speech competitions throughout school. When I went to Otago, we had to give a speech (I got 97%, top mark!) and at vet school I've had to do 3 presentations so far. My drama skills that I learned have helped me heaps, even in vet school. My drama skills also helped me get this amazing job in vet school and the only reason I got the job is because of my confidence, which I can attribute to drama! Even though I'm doing a veterinary science degree, which isn't remotely artistic, creative, or performance arts orientated, I still find that I need what I learned in drama.
-Beth
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Freddie's 3 Fat Fairies by Wendy Steeds |
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“Mostly girls read fairy books and books never say what they eat.”
Boys and fairies don’t ordinarily mix but Freddie’s 3 Fat Fairies isn’t a normal fairy story. When Freddie is suddenly confronted by three crash-landed fairies at the bottom of his garden, he finds that Lolyew, Der and Ergne (whose names are anagrams of their hair-colours) aren’t the traditional pixie-dust types. Their anti-authoritarian views have led the Fairy Queen to expel them from Fairyland, minus their wings.
Freddie and his down-to-earth friends, John, Paul, Big Sam and Little Sam, have difficulty accepting that the three tiny, truculent beings they encounter are fairies. “Oh Freddie, they are not fairies, you turkey, they are just little fat people,” says Little Sam. Without their wings, the fairies can’t even climb a tree to escape the cat. Some visiting girls, Holz (Holly), Jojo (Joanne), Sons (Sonia) and Paula, prove they are more practical than the boys, arranging food for the hungry fairy trio, whose eating habits aren’t what anyone expected. “The three fat fairies began to shovel food into their mouths. They kept grabbing and stuffing their mouths full, every now and then stopping to let out a loud burp then diving back into the platter again.”
The fairies are interesting characters, with some refreshingly original views on life. Their response to an approaching girl is typical. “No one is touching us, thank you,” said Lelyow, “you’re all dirty and ugly.” Fairies can also give looks that make “cabbages pickle and grapes shrivel”.
Freddie and his friends, too embarrassed to admit to ever reading fairy stories, know that fairies must offer them three wishes. “It’s make-believe. Fairies can’t do wishes,” protests Lolyew. Then the children make their wishes and, in a droll sequence, find out how the fairies grant them. Paula’s wish, however, is a really serious one and beyond the powers of the craftiest fairies. Fortunately Wendy Steeds is in control of her story and when the Fairy Queen makes her entrance, there is no nonsense: “The Fairy Queen was beautiful and she knew it.” Unfortunately she lands in the cauliflowers, but recovers her dignity sufficiently to provide the story with what can only be described as a satisfactorily happy ending for all who deserve one.
Jane Smith’s black and white illustrations and page decorations are charming without being sentimental, and really bring the characters to life. Excerpts from a review by Trevor Agnew
October 06
Too Order a copy of Freddie's 3 Fat Fairies please contact Wendy via email at
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